| TAG |
AMICO-FIELDS |
Core? |
Repeat? |
AMICO Guidelines |
Examples |
| Unique ID |
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AID
|
AMICO Identifier |
* |
N |
4 letter inst. abbreviation, dot, accession number
[DOIs will be investigated in the future]
|
NMAA.87-32547/a-g}~ AIC_456502}~ GEH_3457-86}~ |
| What is
it? |
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OTY
|
Object - Type |
* |
Y |
added by AMICO members from short list
of terms |
installation}~ sculpture}~ watercolor}~ |
|
OPP
|
Object - Parts/Pieces |
|
Y |
a number or description of parts/pieces |
chair, shelf, painting on canvas, robe, and bricks}~
3 panels}~ 2}~ |
| CLG |
Classification |
|
Y |
Group Element |
}~ |
| CLT |
Classification - Term |
|
Y |
terms currently used by AMICO members
as object-type or classification |
sculptural multimedia installation}~works of art
on paper |
| CLS |
Classification - Scheme |
|
Y |
if terms follow a scheme, the abbreviation
from a list |
AAT}~ |
| What is
it called? |
|
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|
| OTG |
Object- Title/Name |
|
Y |
Group element |
}~ |
| OTN |
Object-Title-Name |
* |
Y |
|
In the Afternoon}~ untitled}~ Blue #6 |
| OTT |
Title-Type |
|
Y |
Can include terms/phrases such as 'preferred',
'as given by artist', etc. |
preferred}~ popular}~ as first exhibited}~ |
| OST |
State |
|
Y |
|
1 of 5}~ only known}~ artists proof |
| OEN |
Edition |
|
Y |
|
1st}~ Second American}~ |
| What does
it look like? |
|
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| OPD |
Physical Description |
|
N |
Narrative - includes description of
components. |
The objects are off center with a brick pathway leading
towards them and the canvas in the background}~Installation piece
for the 2nd floor sculpture cort comprised of several pine sticks.
The ones in the center are burned }~ |
| OPO |
Physical Orientation/Arrangement |
|
N |
|
horizontal}~ designed for 14'x28' room}~ on pedestal
|
| MET |
Measurements-Text |
* |
Y |
use for concantenated measurement texts |
14'x28'}~ 17.6 " x 38" unframed}~ 160 kg.}~ 13.2
cu.m. |
| MEG |
Measurements |
|
Y |
Group element |
}~ |
| MCM |
Measurement-Component-Measured |
|
N |
what was measured (sheet, frame, lid,
pedestal etc.) |
sheet}~frame}~lid}~pedestal}~ |
| MED |
Measurement-Dimension |
|
N |
value table: height, width, depth, weight,
circumference, duration, volume, etc. |
height}~ width}~ length}~ circumference}~ diameter}~
volume}~ weight}~ duration}~ |
| MDV |
Measurement-Dimension-Value |
|
N |
the number of units measured |
37.6}~ 14}~ 182.25 |
| MDU |
Measurement-Dimension-Units |
|
N |
value table: inches, feet, mm, cm, lbs.,
oz., kg, gr., minutes, sq.ft, cu.ft etc. |
linear measurements: inches}~ ft}~ mm.}~ cm}~ meters}~
planar measurements: sq.ft.}~ sq m.}~ volumetric measurements: cu.ft.
cu.meters}~ pounds, ounces}~ grams, kilograms}~ seconds, minutes}~
hours}~ ) |
| MEQ |
Measurement-Qualifier |
|
Y |
+/- amount or term |
plus/minus 10}~ accurate to 96%}~ circa}~ |
| OMG |
Materials and Techniques |
|
Y |
Group Element |
}~ |
| OMD |
Materials and Techniques-Description |
* |
N |
|
Bricks, furniture and canvas}~ ink and watercolor
on paper}~ oil on canvas}~ |
| OMT |
Materials and Techniques-Process/Technique-Term
|
|
Y |
|
construction}~ freehand drawing}~ drip painting}~lithograph
|
| OMM |
Materials and Techniques-Materials-Term |
|
Y |
|
brick}~ oak}~ watercolor}~ varnish}~ |
| OMS |
Materials and Techniques-Support |
|
Y |
|
rice paper}~ canvas |
| OIN |
Inscriptions and/or Marks |
|
Y |
|
signed, JG., lower front}~ silver mark on handle}~
inscribed "to my friend john" on rear, with date July 14, 1973}~
|
| OCH |
Condition/Examination History |
|
Y |
|
"Excellent Condition according to Condition Report,
14/7/82, H.M. Black, Conservator}~ not inspected when first accessioned,
found to have scratch in upper left, 3 inches long, during 1965
inventory}~ |
| OTH |
Treatment/Conservation History |
|
Y |
|
Restored, summer 1987. Detailed treatment report
available}~Base reaffixed July 1987}~ |
| Who made
it? |
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| CRG |
Creator |
|
Y |
Group Element |
}~ |
| CRQ |
Creator-Qualifier |
|
N |
|
School of}~ Follower of}~ Attributed to}~ Copy after}~
|
| CRT |
Creator-Name-Text |
* |
Y |
Display form of Creator Name or if Creator-Name
isn't present, display form of Creator Culture Nationality |
Vito Acconci}~ W. Eugene Smith }~ Rembrandt van Rijn
|
| CRN |
Creator-Name |
* or CRC |
N |
Sort Form of Creator name |
Acconci, Vito}~ Smith, W. Eugene}~ Rembrandt van
Rijn |
| CRC |
Creator-Culture/Nationality |
* or CRN |
N |
|
Benin Culture}~ Egyptian 1085-710 B.C.}~ Native American
|
| CDT |
Creator-Dates/Locations-Text |
|
N |
|
born 1876 in Staffordshire, England}~ after 800 B.C.}~
not before 1766}~ c.1450}~ 3rd century B.C.}~Died 1990 |
| CBD |
Creator-Birth-Date |
|
N |
|
1957}~ 19780914}~ 190206}~ |
| CBP |
Creator-Birth-Place |
|
N |
|
Lille, France}~ The Netherlands}~ London, Ontario,
Canada |
| CBQ |
Creator-Birth-Qualifier |
|
N |
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c.}~ circa}~ before}~ not after}~ no later than}~
|
| CDD |
Creator-Death-Date |
|
N |
|
1320}~ 19380914}~ 710 B.C.}~ |
| CDP |
Creator-Death-Place |
|
N |
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Helsinki, Finland}~ India}~ at sea, South Atlantic}~
|
| CDQ |
Creator-Death-Qualifier |
|
N |
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c.}~ circa}~ before}~ not after}~ no later than}~
|
| CAD |
Creator-Active-Date |
|
N |
|
1342-1386}~ 1960's}~ early 7th century B.C.}~ |
| CAP |
Creator-Active-Place |
|
Y |
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France}~ Middle Kingdom, Egypt}~ North America}~
|
| CGN |
Creator-Gender |
|
N |
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Male}~ Female}~ |
| CRB |
Creator-Biography |
|
N |
|
Active in Canada 1844-71; Came to Canada in 1842}~Winner
of the Prix du Rome in 1903. |
| CRR |
Creator-Role |
|
Y |
|
sculptor}~ designer}~ print maker}~ castings manager}~
|
| CNO |
Creator-Notes |
|
N |
|
Not known to have ever signed works. |
| WHEN was
it made? |
|
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| OCG |
Creation-Dates |
|
Y |
Group Element |
}~ |
| OCT |
Creation-Date-Text |
* |
N |
|
c. 1645}~ 1957}~ dated by the artist as September
13, 1975}~ |
| OCS |
Creation-Date-Start |
|
N |
|
1300}~ 198209}~ 19461103}~ |
| OCE |
Creation-Date-End |
|
N |
|
1300}~ 198209}~ 19461103}~ |
| OCQ |
Creation-Date-Qualifier |
|
N |
|
c.}~ circa}~ before}~ not after}~ no later than}~
|
| WHERE was
it made? |
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| OCP |
Creation-Place |
|
Y |
|
Paris, France}~Loire River Valley}~Los Angeles, California,
USA}~ |
| WHAT is
it ABOUT? |
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| STG |
Style/Period |
|
Y |
Group Element |
}~ |
| STD |
Style/Period-Description |
|
N |
|
Early Christian with Byzantine influence}~ Eastern
Han ceramic ware with 13th century decorative glazes}~ Baroque}~
Etruscan influenced}~ |
| STT |
Style/Period-Terms |
|
Y |
|
Art Nouveau}~ Minyan ware}~ French Colonial}~ |
| SUG |
Subject Matter |
|
Y |
Group Element |
}~ |
| SUP |
Subject Matter-PreIconographic Description |
|
N |
|
Pastoral landscape with cattle in fields in background}~
Full length portrait with ball gown and pearls}~ Group of men at
table gambling and drinking}~ |
| SUI |
Subject Matter-Iconography |
|
Y |
|
Diana and hounds}~ Christ in the temple}~ Herrod
and the slaughter of the innocents}~ |
| SUT |
Subject Matter-Index Terms |
|
Y |
|
Mrs. John Patorius}~ Court of Louis XIV}~ Netherlands
- 16th century, Recreation}~ |
| CXG |
Context |
|
Y |
Group Element |
}~ |
| CXD |
Context-Description |
|
N |
|
Excavated at Pompei in the 1876 expedition}~ Installed
in Brussels town square until 1782}~ Originally displayed with framelike
structure built by the artist as part of the Black3 series}~ |
| CXP |
Context-Related-Person |
|
Y |
|
Pershing, John}~ Emperor Hirohito}~ Wu Hen Din}~Pope
Julius II}~ |
| CXS |
Context-Related Site/Place |
|
Y |
|
Brussels, Belgium}~ Pompei, Italy}~ Times Square,
New York, New York, USA}~ |
| CXT |
Context-Time Period/Dates |
|
N |
|
1876}~ 1782}~prior to acquisition by the museum in
1956}~}~ |
| What does
is it MEAN? |
|
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| OCR |
Critical Responses |
|
Y |
|
Maravius, Hans, "In the Light of day", The New City
News, January 7, 1987}~ |
| Who showed
it? |
|
|
|
|
| OEH |
Exhibition or Loan History |
|
Y |
|
Manchester Museum of Art, June 10 - September 18,
1976, "New Lines in Grand Masters" |
| Who owned
it? |
|
|
|
|
| OOG |
Owner |
* |
Y |
Group Element |
}~ |
| OON |
Owner Name |
* |
N |
The name of the institution or individual
who owns the work now [e.g. the AMICO member]. Can repeat if multiple/part
owners |
SF MOMA}~ The Trustees of the Harold J. Jameson Memorial
Museum of Crafts}~ |
| OOP |
Owner-Place |
* |
Y |
|
Buffalo, New York, USA}~ St. Petersburg, Russia}~
San Diago, Chile}~ |
| OOA |
Owner-Accession-Number |
* |
Y |
|
87-4532.a-c}~ 456565-0112}~ |
| OOC |
Owner-Credit-Line |
* |
Y |
|
Gift of Mrs. John Francis Blue}~ Purchased with funds
from trustees and friends in memory of Hector Escobosa, Brayton
Wilbur and J.D. Zellerbach}~ |
| OPO |
Provenance/Prior Owners-Text |
|
Y |
|
Andrew Carnegie}~ ASEA International Ltd.}~ Mr. &
Mrs. John A. T. Pastors}~ |
| ORG |
Rights/Copyright |
|
Y |
Group Element |
}~ |
| ORS |
Copyright-Statement |
|
N |
used to specify known rights holders
encumberances/restrictions |
Permission for educational use only granted by the
Trustees of the Picasso estate}~ No reproductions permitted under
terms of the gift}~ |
| ORL |
Copyright-Link |
* |
N |
URL to link to AMICO members rights
office |
http://www.artic.edu}~ |
| What is
it related to? |
|
|
|
|
| RWG |
Related Works of Art |
|
Y |
Group Element |
}~ |
| RWD |
Related-Works-Description |
|
N |
|
David Hockney, "Mulholland Drive: the Road to the
Studio", 1980}~ Other statues from the same site accessioned by
the British Museum in 1845}~ |
| RWR |
Related-Works-Relationship-Type |
|
N |
|
IsBasisFor}~ IsPartOf}~ References}~ |
| RWL |
Related-Works-Identifier/Link |
|
N |
|
LAMA.AC1954.856.32}~ AKAG.1863:1}~ |
| RIG |
Related Images |
* |
Y |
Group Element |
}~ |
| RIP |
Related-Image-Preferred |
* |
N |
Indicator [yes/no] of preferred image |
Y}~ N}~ |
| RID |
Related-Image-Description |
* |
Y |
The view: full, detail, recto, verso,
360 degrees,etc. |
Detail}~ Full View}~ Aerial view}~ 360 degrees}~x-ray}~
|
| RIR |
Related-Image-Relationship-Type |
* |
N |
DC.Relation (if original work is analog
= HasFormat}~ if original work is digital = HasVersion}~) |
HasFormat}~ HasVersion}~ |
| RIL |
Related-Image-Identifier/Link |
* |
N |
The identifier of the related image
file |
AIC_.96-34543.tif}~ SFMA.89-2335.jpg}~ |
| RMG |
Related Multimedia |
|
Y |
Group Element |
}~ |
| RMD |
Related-Multimedia-Description |
|
N |
|
Interview, in the artist's studio, January 17, 1993}~
"Fly-Through" movie of the installation seen from three feet above
ground}~ Interpretation offered by the Museum Director in the gallery
audio}~ |
| RMR |
Related-Multimedia-Relationship-Type |
|
N |
|
References}~ IsVersionOf}~ IsBasedOn}~ |
| RML |
Related-Multimedia-Identifier/Link |
|
N |
|
SFMA.96-543.mov}~ SDCA.1324:87.1.wav}~ NMAA.67-3452.cgm}~
|
| RDG |
Related Documents |
|
Y |
Group Element |
}~ |
| RDD |
Related-Document-Description |
|
N |
|
Johnson, James, "Major Works by Hungarian Artists,
London, Ballet & Baney, 1963 p.137-138}~ The New Reporter, "ARTopenARTclosed",
June 17, 1989, p.7}~transcript of gallery talk at opening, Museum
Archives}~ |
| RDR |
Related-Document-Relationship-Type |
|
N |
|
References}~ |
| RDL |
Related-Document-Identifier/Link |
|
N |
|
WGA_.doc1876-45.sgm}~ MIA_.newreporter46.gif}~ NMAA.Ex85-342.txt}~
|
| Who documented
it? |
|
|
|
|
| DCH |
Documentation/Cataloguing-History |
|
Y |
Group Element |
}~ |
| DCB |
Documented/Cataloged By |
|
Y |
|
Jameson}~ PDT}~ PhotoServices3}~ |
| DCD |
Documented/Cataloged-Date |
|
Y |
|
19870415}~ |
| Interpretations |
|
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| Version
Control |
|
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|
|
| AVD |
AMICO-Validated-Date |
* |
N |
Created by AMICO |
19980324}~19980214}~ |
| AVV |
Validation-Dictionary-Version |
* |
N |
Created by AMICO |
1.0}~1.3}~ 2.1}~ |