                 |
 |
| AID |
LACM.M.84.183 |
| OTY |
Sculpture |
| OTG |
|
OTN |
Crowned Buddha |
| OPD |
The slender Buddha stands in an elegant
posture, with slightly lowered head, right hand at the side, and
left hand held to the chest. The thin, almost abstract rendering
of the body is emphasized by attenuated arms and legs. [This description
is excerpted and modified from the following published sources:
1. Lorna Price, Masterpieces from the Los Angeles County Museum
of Art (Los Angeles: Los Angeles County Museum of Art, 1988),
102. 2. 'Recent Acquisitions: Crowned Buddha,' Members Bulletin,
Los Angeles County Museum of Art 23, no. 2:6.] |
| OPA |
This sculpture is mounted on the wall. |
| MET |
60 x 12 x 5 1/2 in. |
| MET |
(152.4 x 30.4 x 13.9 cm) |
| MEG |
|
MCM |
overall |
|
MED |
height |
|
MDV |
60 |
|
MDU |
in. |
| MEG |
|
MCM |
overall |
|
MED |
width |
|
MDV |
12 |
|
MDU |
in. |
| MEG |
|
MCM |
overall |
|
MED |
depth |
|
MDV |
5.5 |
|
MDU |
in. |
| MEG |
|
MCM |
overall |
|
MED |
height |
|
MDV |
152.4 |
|
MDU |
cm |
|
MEQ |
overall |
| MEG |
|
MCM |
overall |
|
MED |
width |
|
MDV |
30.4 |
|
MDU |
cm |
| MEG |
|
MCM |
overall |
|
MED |
depth |
|
MDV |
13.9 |
|
MDU |
cm |
| OMG |
|
OMD |
Carved wood with traces of gilding and polychrome
lacquer |
| OCH |
The sculpture is remarkable for its good condition. Of the small
number of surviving wood Buddhas from thirteenth- to fourteenth-century
Burma, few are as complete as this example. The elaborate vegetal
designs on both sides of the Buddha's head are almost completely
intact. Only the lower part of the robe and the original lotus
pedestal are missing. The traces of lacquer and gilding on the
surface may have helped preserve the wood from rot and termites.
In 1996, LACMA submitted a chip from the Buddha to the Forestry
School at UCLA for identification and authentication. The wood
was determined to be teak (botanical name tectona grandis). Radiocarbon
dating and growth ring calculations yielded an interval for the
felling date of the tree of 1148-1380 A.D. This data supports
the stylistic identification of the sculpture as thirteenth-century.
[This history is excerpted and modified from departmental records
and the following published sources: 1. Lorna Price, Masterpieces
from the Los Angeles County Museum of Art (Los Angeles:Los
Angeles County Museum of Art,1988), 102. and 2. 'Recent Acquisitions:
Crowned Buddha,' Members Bulletin, Los Angeles County Museum
of Art 23, no. 2:6.]
|
| OTH |
Upon acquiring the Buddha, the Department
of South and Southeast Asian Art added a two-piece wall-mount. |
| CRG |
|
CRT |
Burma (Pagan) |
|
CRC |
Burmese |
| OCG |
|
OCT |
c. 1300-1400 |
|
OCS |
1300 |
|
OCE |
1400 |
|
OCQ |
circa |
| STG |
|
STD |
Pagan, 13th century |
| SUG |
|
SUP |
Religious figure |
|
SUI |
This sculpture represents the Buddha as he was depicted in eleventh-
through thirteenth-century Pagan.
The iconic gesture of the Buddha's lowered right hand indicates
the granting of a wish. The left hand grasps the end of the robe
or perhaps a sacred text. Above a simple monastic robe, the figure
wears the jeweled collar, earrings, and a high crown of a universal
monarch (Bodhisattva). In the center of the crown rises an elaborate
lotus-topped stalk of three rings. Either a part of the crown
or a tall coiffure, this protuberance evokes the usnisha, the
Buddha's cranial bump.
[This history is excerpted and modified from the following published
sources: 1. Lorna Price, Masterpieces from the Los Angeles
County Museum of Art (Los Angeles: Los Angeles County Museum
of Art, 1988), 102. 2. 'Recent Acquisitions: Crowned Buddha,'
Members Bulletin, Los Angeles County Museum of Art 23,
no. 2: 6.]
|
| CXG |
|
CXD |
The Burmese temple city of Pagan underwent a spectacular flowering
during the eleventh to thirteenth centuries. The Pagan kings,
some of the greatest rulers of their era, left inscriptions indicating
that they considered themselves enlightened Buddhist sovereigns
who had acquired exceptional merit during past lives and would
eventually be reborn as Buddhas.
To embellish the city's numerous brick temples, Buddhist images
were created in paint, metal, stone, and wood. This carved teak
figure is one of a small group that survives from the period.
[This history is excerpted and modified from the following published
sources: 1. Lorna Price. Masterpieces from the Los Angeles
County Museum of Art. (Los Angeles: Los Angeles County Museum
of Art, 1988), 102. 2. 'Recent Acquisitions: Crowned Buddha.'
Members Bulletin, Los Angeles County Museum of Art 23,
no. 2: 6.]
|
| OCR |
This image of the Buddha has been variously interpreted. The
historical Sakyamuni is usually shown as a simple mendicant clad
in a monk's robe. The elaborate ornamentation of the Pagan Buddhas
suggest that they are representations of Maitreya, the future
Buddha waiting as a crowned and jeweled Boddhisattva for his rebirth.
There is also some indication that these sculptures may be idealized
portraits of deceased kings and nobles of Pagan. Their individualized
facial features--this Buddha's expression is particularly appealing
and serene--indicate that some particularization was intended.
Both interpretations may apply: the image could represent a historical
king reborn as Maitreya.
Another theory suggests that the sculptures portray the historical
Buddha in his Jambupati manifestation. According to apocryphal
Laotian and Burmese texts dating at the earliest from the late
eighteenth century, Sakyamuni appeared in the robes and jewels
of a Boddhisattva in order to convert the king Jambupati to Buddhism.
As the Jambupati tradition arose long after the flowering of Pagan,
it is unlikely to apply to this image.
[This analysis is excerpted from departmental records and the
following published sources: 1. Lorna Price, Masterpieces from
the Los Angeles County Museum of Art (Los Angeles: Los Angeles
County Museum of Art, 1988), 102. 2. 'Recent Acquisitions: Crowned
Buddha,' Members Bulletin, Los Angeles County Museum of Art
23, no. 2:6.]
|
| OOG |
|
OON |
Los Angeles County Museum of Art |
|
OOP |
Los Angeles, California, USA |
|
OOA |
M.84.183 |
|
OOC |
Purchased with Harry Lenart Memorial Funds |
| ORG |
|
ORS |
Contact the Los Angeles County Museum of Art, Rights
and Reproductions Office. |
|
ORL |
http://www.lacma.org |
| ORG |
|
ORL |
http://www.lacma.org/ |
| RIG |
|
RIP |
Y |
|
RID |
Full view |
|
RIR |
HasFormat |
|
RIL |
LACM.M84_183.tif |
| RIG |
|
RIP |
N |
|
RID |
Detail |
|
RIR |
HasFormat |
|
RIL |
LACM.M84_183detail.tif |
| RMG |
|
RMD |
Sound file from children's audio tour. |
|
RMR |
References |
|
RML |
LACM.M84_183.wav |
| AVD |
20000602 |
| AVV |
1.2 |
| ALY |
1999 |
| ADP |
NOTE: OTY: 'sculpture' normalized case
to 'Sculpture'. |
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to Sample Record

Last modified on
October 10, 2001
|