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AIDLACM.M.84.183}~
OTYSculpture}~
OTG}~
OTNCrowned Buddha}~
OPDThe slender Buddha stands in an elegant posture, with slightly lowered
head, right hand at the side, and left hand held to the chest. The thin,
almost abstract rendering of the body is emphasized by attenuated arms
and legs. [This description is excerpted and modified from the following
published sources: 1. Lorna Price, <i>Masterpieces from the Los
Angeles County Museum of Art</i> (Los Angeles: Los Angeles County
Museum of Art, 1988), 102. 2.'Recent Acquisitions: Crowned Buddha,' <i>Members
Bulletin, Los Angeles County Museum of Art</i> 23, no. 2:6.]}~
OPAThis sculpture is mounted on the wall.}~
MET60 x 12 x 5 1/2 in.}~
MET(152.4 x 30.4 x 13.9 cm)}~
MEG}~
MCMoverall}~
MEDheight}~
MDV60}~
MDUin.}~
MEG}~
MCMoverall}~
MEDwidth}~
MDV12}~
MDUin.}~
MEG}~
MCMoverall}~
MEDdepth}~
MDV5.5}~
MDUin.}~
MEG}~
MCMoverall}~
MEDheight}~
MDV152.4}~
MDUcm}~
MEQoverall}~
MEG}~
MCMoverall}~
MEDwidth}~
MDV30.4}~
MDUcm}~
MEG}~
MCMoverall}~
MEDdepth}~
MDV13.9}~
MDUcm}~
OMG}~
OMDCarved wood with traces of gilding and polychrome lacquer}~
OCH <P>The sculpture is remarkable for its good condition. Of the
small number of surviving wood Buddhas from thirteenth- to fourteenth-century
Burma, few are as complete as this example. The elaborate vegetal designs
on both sides of the Buddha's head are almost completely intact. Only
the lower part of the robe and the original lotus pedestal are missing.
The traces of lacquer and gilding on the surface may have helped preserve
the wood from rot and termites.</P><P>In 1996, LACMA submitted
a chip from the Buddha to the Forestry School at UCLA for identification
and authentication. The wood was determined to be teak (botanical name
tectona grandis). Radiocarbon dating and growth ring calculations yielded
an interval for the felling date of the tree of 1148-1380 A.D. This data
supports the stylistic identification of the sculpture as thirteenth-century.</P><P>[This
history is excerpted and modified from departmental records and the following
published sources: 1. Lorna Price, <i>Masterpieces from the Los
Angeles County Museum of Art</i> (Los Angeles:Los Angeles County
Museum of Art,1988), 102. and 2. 'Recent Acquisitions: Crowned Buddha,'
<i>Members Bulletin, Los Angeles County Museum of Art</i>
23, no. 2:6.<P>]}~
OTHUpon acquiring the Buddha, the Department of South and Southeast Asian
Art added a two-piece wall-mount.}~
CRG}~
CRTBurma (Pagan)}~
CRCBurmese}~
OCG}~
OCTc. 1300-1400}~
OCS1300}~
OCE1400}~
OCQcirca}~
STG}~
STDPagan, 13th century}~
SUG}~
SUPReligious figure}~
SUI<P>This sculpture represents the Buddha as he was depicted in
eleventh- through thirteenth-century Pagan.</P></P>The iconic
gesture of the Buddha's lowered right hand indicates the granting of a
wish. The left hand grasps the end of the robe or perhaps a sacred text.
Above a simple monastic robe, the figure wears the jeweled collar, earrings,
and a high crown of a universal monarch (Bodhisattva). In the center of
the crown rises an elaborate lotus-topped stalk of three rings. Either
a part of the crown or a tall coiffure, this protuberance evokes the usnisha,
the Buddha's cranial bump.</P> <P>[This history is excerpted
and modified from the following published sources: 1.Lorna Price, <i>Masterpieces
from the Los Angeles County Museum of Art</i> (Los Angeles: Los
Angeles County Museum of Art, 1988), 102. 2. 'Recent Acquisitions: Crowned
Buddha,' <i>Members Bulletin, Los Angeles County Museum of Art</i>
23, no. 2: 6.]</P>}~
CXG}~
CXD<P>The Burmese temple city of Pagan underwent a spectacular flowering
during the eleventh to thirteenth centuries. The Pagan kings, some of
the greatest rulers of their era, left inscriptions indicating that they
considered themselves enlightened Buddhist sovereigns who had acquired
exceptional merit during past lives and would eventually be reborn as
Buddhas.</P><P>To embellish the city's numerous brick temples,
Buddhist images were created in paint, metal, stone, and wood. This carved
teak figure is one of a small group that survives from the period.</P><P>[This
history is excerpted and modified from the following published sources:
1. Lorna Price. <i>Masterpieces from the Los Angeles County Museum
of Art</i>. (Los Angeles: Los Angeles County Museum of Art, 1988),
102. 2. 'Recent Acquisitions: Crowned Buddha.' <i>Members Bulletin,
Los Angeles County Museum of Art</i> 23, no. 2: 6.]}~
OCR<P>This image of the Buddha has been variously interpreted. The
historical Sakyamuni is usually shown as a simple mendicant clad in a
monk's robe. The elaborate ornamentation of the Pagan Buddhas suggest
that they are representations of Maitreya, the future Buddha waiting as
a crowned and jeweled Boddhisattva for his rebirth. There is also some
indication that these sculptures may be idealized portraits of deceased
kings and nobles of Pagan. Their individualized facial features--this
Buddha's expression is particularly appealing and serene--indicate that
some particularization was intended. Both interpretations may apply: the
image could represent a historical king reborn as Maitreya.</P><P>Another
theory suggests that the sculptures portray the historical Buddha in his
Jambupati manifestation. According to apocryphal Laotian and Burmese texts
dating at the earliest from the late eighteenth century, Sakyamuni appeared
in the robes and jewels of a Boddhisattva in order to convert the king
Jambupati to Buddhism. As the Jambupati tradition arose long after the
flowering of Pagan, it is unlikely to apply to this image.</P><P>[This
analysis is excerpted from departmental records and the following published
sources: 1. Lorna Price, <i>Masterpieces from the Los Angeles County
Museum of Art</i> (Los Angeles: Los Angeles County Museum of Art,
1988), 102. 2. 'Recent Acquisitions: Crowned Buddha,' <i>Members
Bulletin, Los Angeles County Museum of Art</i> 23, no. 2:6.]</P>}~
OOG}~
OONLos Angeles County Museum of Art}~
OOPLos Angeles, California, USA}~
OOAM.84.183}~
OOCPurchased with Harry Lenart Memorial Funds}~
ORG}~
ORSContact the Los Angeles County Museum of Art, Rights and Reproductions
Office.}~
ORLhttp://www.lacma.org}~
ORG}~
ORLhttp://www.lacma.org/}~
RIG}~
RIPY}~
RIDFull view}~
RIRHasFormat}~
RILLACM.M84_183.tif}~
RIG}~
RIPN}~
RIDDetail}~
RIRHasFormat}~
RILLACM.M84_183detail.tif}~
RMG}~
RMDSound file from children's audio tour.}~
RMRReferences}~
RMLLACM.M84_183.wav}~
AVD20000602}~
AVV1.2}~
ALY1999}~
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