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This portrait represents the son of the conde de Altamira. Outfitted
in a splendid red costume, Don Manuel is shown playing with a
pet magpie (which holds the painter's calling card in its beak),
a cage full of finches, and three wide-eyed cats. In Christian
art birds frequently symbolize the soul, and in Baroque art caged
birds are symbolic of innocence. Goya may have intended this portrait
as an illustration of the frail boundaries that separate the child's
world from the forces of evil or as a commentary on the fleeting
nature of innocence and youth.
The picture is one of several portraits commissioned by the Altamiras
after Goya was appointed painter to the king (1786). It may have
been executed after the child's death in 1792, since the imagery
and sinister undertone seem more characteristic of Goya's works
of the 1790s.
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