| Field Value |
Occurrence Count |
Institutions Using |
| Full View |
1 |
SFMO |
| front |
1 |
AIC_ |
| #1 |
2 |
SFMO |
| #10 |
1 |
SFMO |
| #11 |
1 |
SFMO |
| #2 |
2 |
SFMO |
| #3 |
2 |
SFMO |
| #4 |
2 |
SFMO |
| #5 |
1 |
SFMO |
| #6 |
1 |
SFMO |
| #7 |
1 |
SFMO |
| #8 |
1 |
SFMO |
| #9 |
1 |
SFMO |
| 'Day' View (via illumination from front) |
1 |
GEH_ |
| 'Night' View (via illumination from rear) |
1 |
GEH_ |
| 'front view without lid of female figures, vase,
kantharos on table, and thyrsos' |
1 |
AIC_ |
| 'front view, slightly angled from above' |
1 |
AIC_ |
| 'front view, slightly turned' |
1 |
AIC_ |
| 'full view. also photographed as part of a set
with 1987.314.1, 2, 3, and 4 in E16218' |
1 |
AIC_ |
| 'full view. also photographed as part of a set
with 1987.314.1, 2, 3, and 5 in E16218' |
1 |
AIC_ |
| 'full view. also photographed as part of a set
with 1987.314.1, 2, 4, and 5 in E16218' |
1 |
AIC_ |
| 'full view. also photographed as part of a set
with 1987.314.1, 3, 4, and 5 in E16218' |
1 |
AIC_ |
| 'full view. also photographed as part of a set
with 1987.314.2, 3, 4, and 5 in E16218' |
1 |
AIC_ |
| 'l. to r.: 1987.314.3, 1987.314.1, 1987.314.5,
1987.314.4, 1987.314.2' |
5 |
AIC_ |
| 'overall view, left side of pair (with 1958.168)' |
1 |
AIC_ |
| 'overall view, right side of pair (with 1958.167)' |
1 |
AIC_ |
| 3/4 left view |
1 |
AIC_ |
| 3/4 open view |
1 |
AIC_ |
| 3/4 profile |
1 |
BMFA |
| 3/4 view |
90 |
AIC_, DMCC, MIA_, WAC_ |
| 3/4 view from left |
1 |
AIC_ |
| 3/4 view sans mount |
1 |
AIC_ |
| 3/4 view showing child on back |
1 |
AIC_ |
| 3/4 view. digitally enhanced |
1 |
AIC_ |
| Additional view |
218 |
MMA_ |
| Alternate View |
80 |
AGO_, MMA_, WMAA |
| Alternate View, MMA_.1984.425.24 |
1 |
MMA_ |
| Alternate View, with Harlequin |
1 |
MMA_ |
| Alternative View |
2 |
MMA_ |
| Back |
14 |
MIA_, WAC_, WMAA |
| Back View |
4 |
MMA_ |
| Bottom View |
1 |
MMA_ |
| Bottom view |
1 |
ASIA |
| Center Panel |
1 |
SAAM |
| Closed |
1 |
PMA_ |
| Comparative View |
6 |
CMA_ |
| Composite |
1 |
DIA_ |
| Context |
1 |
MMA_ |
| Detail |
266 |
AGO_, BMFA, CMA_, DIA_, MCAS, MIA_, MMA_, SAAM,
WAC_, WMAA |
| Detail of open box |
4 |
MIA_ |
| Detail of three leaves |
1 |
DIA_ |
| Detail, MMA_.1981.398.4 |
1 |
MMA_ |
| Detail, panel 1 |
2 |
MMA_ |
| Detail: Christ |
2 |
BMFA |
| Detail: Figure on right column |
1 |
BMFA |
| Detail: Mother and Child |
1 |
BMFA |
| Detail: Plan view |
1 |
BMFA |
| Detail: St. John |
1 |
BMFA |
| Detail: center |
1 |
BMFA |
| Detail: fallen warrior |
1 |
BMFA |
| Detail: figures on base |
1 |
BMFA |
| Detail: hand and scale |
1 |
BMFA |
| Detail: lower right - figure |
1 |
BMFA |
| Detail: top |
1 |
BMFA |
| Different angle |
35 |
SAAM |
| Drawing 1 |
1 |
SFMO |
| Drawing 2 |
1 |
SFMO |
| Drawing 3 |
1 |
SFMO |
| End Side View |
1 |
MMA_ |
| Ensemble |
6 |
SAAM |
| Folio 1, recto |
1 |
MMA_ |
| Folio 4, recto |
1 |
MMA_ |
| Folio 68, recto |
1 |
MMA_ |
| Folio 7, recto |
1 |
MMA_ |
| Follow-on View; adds image of assassin not present
in initial view. |
1 |
GEH_ |
| Front |
4113 |
BMFA, MIA_, WAC_ |
| Front View |
17 |
MIA_, MMA_ |
| Front View, MMA_.32.143.2 |
1 |
MMA_ |
| Frontal View |
1 |
MMA_ |
| Full |
16426 |
FASF, LACM, PMA_, WMAA |
| Full Frontal View |
36 |
SAAM |
| Full View |
45122 |
AGO, AGO_, AIC_, CAI_, CCP_, CMA_, DMA_, DMCC,
FASF, GEH_, LACM, LOC_, MBAM, MCAS, MIA_, MMA_, NGC_, PAFA, SAAM,
SFMO, TFC_, WAC_, WMAA |
| Full View MCA, SD La Jolla location, Krichman Gallery |
1 |
MCAS |
| Full View Open |
1 |
MMA_ |
| Full View a) |
1 |
WMAA |
| Full View b) |
1 |
WMAA |
| Full View c) |
1 |
WMAA |
| Full View d) |
1 |
WMAA |
| Full View e) |
1 |
WMAA |
| Full View f) |
1 |
WMAA |
| Full View g) |
1 |
WMAA |
| Full View h) |
1 |
WMAA |
| Full View i) |
1 |
WMAA |
| Full View j) |
1 |
WMAA |
| Full View k) |
1 |
WMAA |
| Full View l) |
1 |
WMAA |
| Full View of Recto |
2 |
WMAA |
| Full View of Verso |
3 |
WMAA |
| Full View with 19.2.17 |
1 |
MMA_ |
| Full View with impression |
1 |
DIA_ |
| Full View, 1989.281.49 |
1 |
MMA_ |
| Full View, 1989.281.50 |
1 |
MMA_ |
| Full View, 1992.11.22 |
1 |
MMA_ |
| Full View, 1992.11.23 |
1 |
MMA_ |
| Full View, 1992.11.28 |
1 |
MMA_ |
| Full View, 1994.43.1 |
1 |
MMA_ |
| Full View, 1994.43.2 |
1 |
MMA_ |
| Full View, Closed |
1 |
MMA_ |
| Full View, Crucifixion |
1 |
MMA_ |
| Full View, Last Judgment |
1 |
MMA_ |
| Full View, Left Scroll |
1 |
MMA_ |
| Full View, MAA_.1978.412.390 |
1 |
MMA_ |
| Full View, MAA_.1978.412.391 |
1 |
MMA_ |
| Full View, MMA_.1981.398.3 |
1 |
MMA_ |
| Full View, MMA_.1981.398.4 |
1 |
MMA_ |
| Full View, MMA_.1984.425.24 |
1 |
MMA_ |
| Full View, MMA_.32.143.1 |
1 |
MMA_ |
| Full View, MMA_.47.1b |
1 |
MMA_ |
| Full View, MMA_.47.1cd |
1 |
MMA_ |
| Full View, MMA_.47.1ef |
1 |
MMA_ |
| Full View, MMA_.47.gh |
1 |
MMA_ |
| Full View, Museum of Contemporary Art, San Diego |
1 |
MCAS |
| Full View, Museum of Contemporary Art, San Diego,
Downtown |
1 |
MCAS |
| Full View, Right Scroll |
1 |
MMA_ |
| Full View, Side 2 |
1 |
MMA_ |
| Full View, with Harlequin |
1 |
MMA_ |
| Full View} |
1 |
NGC_ |
| Full View}`RIL |
1 |
WMAA |
| Full view |
858 |
ASIA, DIA_, TWAM |
| Full view, front |
1 |
AGO_ |
| Full view, front and back |
1 |
DIA_ |
| Full view, verso |
1 |
AGO_ |
| Full view: Verso |
11 |
AGO_ |
| Full view: back |
2 |
ASIA |
| Full view: from behind |
1 |
AGO_ |
| Full view: from the side |
1 |
AGO_ |
| Full view: front |
1 |
ASIA |
| Full view: left |
2 |
ASIA |
| Full view: one of two |
2 |
ASIA |
| Full view: recto |
1 |
AGO_ |
| Full view: right |
2 |
ASIA |
| FullView |
50 |
NGC_, WMAA |
| Gifts, no. WMAA.96.210r |
1 |
WMAA |
| Group View |
5 |
CMA_ |
| Group shot |
1 |
DIA_ |
| Group shot with 1990.266.B |
1 |
DIA_ |
| Group shot with 58.379 |
1 |
DIA_ |
| Group shot with 58.380 |
1 |
DIA_ |
| Group shot with 71.211 |
1 |
DIA_ |
| Group shot with 71.212 |
1 |
DIA_ |
| Group shot with 71.213 |
1 |
DIA_ |
| Group shot with 71.214 |
1 |
DIA_ |
| Group shot with 71.246 |
1 |
DIA_ |
| Group shot with 71.247 |
1 |
DIA_ |
| Group shot with 78.42 |
1 |
DIA_ |
| Initial View; subject to modification via overlay
of second image. |
1 |
GEH_ |
| Installation View |
2 |
AGO_, WMAA |
| Left Panel |
2 |
MMA_, SAAM |
| Left Panel, Detail |
2 |
MMA_ |
| Left side |
1 |
MIA_ |
| Lid |
1 |
MIA_ |
| One Man Shows, no. WMAA.96.210s |
1 |
WMAA |
| One of eight leaves |
1 |
DIA_ |
| One of twelve leaves |
1 |
DIA_ |
| Open |
1 |
PMA_ |
| Open View |
1 |
MMA_ |
| Page 102 |
1 |
MMA_ |
| Page 68 |
1 |
MMA_ |
| Page 72 |
1 |
MMA_ |
| Page 73 |
1 |
MMA_ |
| Panel 2 |
1 |
MMA_ |
| Part |
22 |
MIA_, WAC_ |
| Part 1 |
1 |
LACM |
| Part 2b |
1 |
LACM |
| Part A |
1 |
LACM |
| Parts 1 through 4 |
1 |
LACM |
| Parts A and B |
8 |
LACM |
| Parts A through C |
10 |
LACM |
| Parts A through D |
1 |
LACM |
| Principal view |
349 |
MMA_ |
| Print A |
1 |
LACM |
| Print B |
1 |
LACM |
| Print C |
1 |
LACM |
| Print D |
1 |
LACM |
| Print E |
1 |
LACM |
| Print F |
1 |
LACM |
| Print G |
1 |
LACM |
| Print H |
1 |
LACM |
| Print I |
1 |
LACM |
| Print J |
1 |
LACM |
| Print K |
1 |
LACM |
| Print L |
1 |
LACM |
| Profile View |
2 |
MMA_ |
| Rear View |
19 |
MMA_ |
| Rear view |
2 |
SAAM |
| Recto |
1 |
AGO_ |
| Recto and Verso |
1 |
DIA_ |
| Right Panel |
2 |
MMA_, SAAM |
| Right Panel, Detail |
2 |
MMA_ |
| Right side |
1 |
MIA_ |
| Scanned from a 4x5 transparency by Sheldan Collins |
31 |
WMAA |
| Scanned from a 4x5 transparency, by Charl Marmorstein |
197 |
WMAA |
| Scanned from a 5x7 transparency by Sheldan Collins |
2 |
WMAA |
| Scanned from a 5x7 transparency, by Charl Marmorstein |
1 |
WMAA |
| Scanned from a B&W photo by Charl Marmorstein |
1 |
WMAA |
| Scanned from an 8x10 transparency by Sheldan Collins |
11 |
WMAA |
| Side |
34 |
LACM, MIA_, WAC_ |
| Side A |
2 |
BMFA, LACM |
| Side B |
2 |
LACM |
| Side View |
32 |
AGO_, MMA_ |
| Side View, 1994.43.2 |
1 |
MMA_ |
| Side view |
2 |
SAAM |
| SideView |
1 |
MMA_ |
| Sie View |
1 |
MMA_ |
| Signature |
1 |
LACM |
| Spirit Burner |
1 |
MMA_ |
| Table Stand |
1 |
MMA_ |
| Table Stand, Detail |
1 |
MMA_ |
| Table Stand, Top |
1 |
MMA_ |
| Tea Kettle |
1 |
MMA_ |
| Tea Kettle and Spirit Burner |
1 |
MMA_ |
| Tea Kettle, Detail |
1 |
MMA_ |
| Three-Quarter View |
1 |
MMA_ |
| Three-quarter view |
1 |
MIA_ |
| Top View |
2 |
MMA_ |
| Top view |
1 |
ASIA |
| Unphotographed |
75 |
LOC_ |
| Verso |
15 |
AGO_, WMAA |
| View 2 |
1 |
MMA_ |
| View not recorded |
2167 |
BMFA |
| View: Portrait |
1 |
BMFA |
| View: Back |
4 |
BMFA |
| View: Profile |
2 |
BMFA |
| Windows 1-3 |
1 |
MMA_ |
| Windows 4-6 |
1 |
MMA_ |
| back |
15 |
DMCC, LACM |
| back cover, no. WMAA.96.208xxxx |
1 |
WMAA |
| back cover, no. WMAA.96.209uuu |
1 |
WMAA |
| back cover, no. WMAA.96.210jjjj |
1 |
WMAA |
| back view |
1 |
AIC_ |
| back view showing fighting warriors |
1 |
AIC_ |
| checklist, hinged to p. 85, no. WMAA.96.208gggg.2 |
1 |
WMAA |
| chronology on back cover, no. WMAA.96.208wwww |
1 |
WMAA |
| clipping of A WORLD OF ANONYMOUS PEOPLE, hinged
to p. 57, no. WMAA.96.208eee.3 |
1 |
WMAA |
| clipping of AMERICAN LANDSCAPE, hinged to p. 28,
no. WMAA.96.208cc.2 |
1 |
WMAA |
| clipping of CAPE ANNE, hinged to p. 56, no. WMAA.96.208ddd.5 |
1 |
WMAA |
| clipping of CUSTOM HOUSE..., hinged to p. 67, no.
WMAA.96.208ppp.2 |
1 |
WMAA |
| clipping of Camel's Hump, hinged to p. 81, no.
WMAA.96.208eeee.2 |
1 |
WMAA |
| clipping of DAWN BEFORE GETTYSBURG, hinged to p.
4, no. WMAA.96.209g |
1 |
WMAA |
| clipping of EAST SIDE INTERIOR, hinged to p. 9,
no. WMAA.96.208n.2 |
1 |
WMAA |
| clipping of ELEVEN A.M., hinged to p. 54, no. WMAA.96.208bbb.2 |
1 |
WMAA |
| clipping of EVENING WIND, hinged to p. 2, no. WMAA.96.208g.2 |
1 |
WMAA |
| clipping of FARM AT ESSEX, hinged to p. 71, no.
WMAA.96.208uuu.2 |
1 |
WMAA |
| clipping of FREIGHT CARS AT GLOUCESTER, hinged
to p. 56, no. WMAA.96.208ddd.4 |
1 |
WMAA |
| clipping of LIGHT HOUSE HILL, hinged to p. 55,
no. WMAA.96.208ccc.2 |
1 |
WMAA |
| clipping of MRS. ACORN'S PARLOR..., hinged to p.
63, no. WMAA.96.208kkk.2 |
1 |
WMAA |
| clipping of NEW YORK PAVEMENTS, hinged to p. 53,
no. WMAA.96.208aaa.2 |
1 |
WMAA |
| clipping of NEW YORK RESTAURANTS, hinged to p.
54, no. WMAA.96.208aaa.3 |
1 |
WMAA |
| clipping of NIGHT WINDOWS, hinged to p. 57, no.
WMAA.96.208eee.2 |
1 |
WMAA |
| clipping of SUNDAY, hinged to p. 53, no. WMAA.96.208aaa.4 |
1 |
WMAA |
| clipping of TABLES FOR LADIES, hinged to p. 58,
no. WMAA.96.208fff.2 |
1 |
WMAA |
| clipping of THE CITY, hinged to p. 54, no. WMAA.96.208bbb.3 |
1 |
WMAA |
| clipping of THE RAILROAD, hinged to p. 12, no.
WMAA.96.208q.2 |
1 |
WMAA |
| clipping, hinged to p. 14, no. WMAA.96.208s.2 |
1 |
WMAA |
| clipping, hinged to p. 75, no. WMAA.96.208yyy.2 |
1 |
WMAA |
| clipping, portrait of the artist by Berenice Abbott
(hinged to frontispiece), no. WMAA.96.208c |
1 |
WMAA |
| close up view |
1 |
AIC_ |
| closed 3/4 view |
1 |
AIC_ |
| cover, no. WMAA.96.208a |
1 |
WMAA |
| cover, no. WMAA.96.209a |
1 |
WMAA |
| cover, no. WMAA.96.210a |
1 |
WMAA |
| detail |
131 |
DMCC, LACM, SFMO |
| detail: front |
1 |
BMFA |
| detail: Chinese Emperor hears of the loss |
2 |
BMFA |
| detail: Chinese carry text to Kibi |
1 |
BMFA |
| detail: Chinese emperor hears of Kibi's feat |
1 |
BMFA |
| detail: Chinese meet Kibi |
3 |
BMFA |
| detail: Chinese officials go to the palace |
3 |
BMFA |
| detail: Chinese return to palace |
1 |
BMFA |
| detail: Chinese surprised that Kibi is still alive |
3 |
BMFA |
| detail: Christ child |
1 |
BMFA |
| detail: Death & his horse |
1 |
BMFA |
| detail: Edo period post script |
1 |
BMFA |
| detail: Kibi flies with demon |
1 |
BMFA |
| detail: Kibi is led to the palace |
1 |
BMFA |
| detail: Kibi peeks at the lecture |
2 |
BMFA |
| detail: Kibi plays chess |
2 |
BMFA |
| detail: Kibi reads Chinese text |
1 |
BMFA |
| detail: Master leaves |
1 |
BMFA |
| detail: angel binding Satan |
1 |
BMFA |
| detail: angel with bow & arrow |
1 |
BMFA |
| detail: audience hall in the palace |
1 |
BMFA |
| detail: chess master reports his failure |
1 |
BMFA |
| detail: chess master visits palace |
1 |
BMFA |
| detail: close-up |
2 |
BMFA |
| detail: coat |
1 |
BMFA |
| detail: dawn at the palace |
1 |
BMFA |
| detail: demon teaches Kibi about game |
1 |
BMFA |
| detail: demon visits Kibi in the Tower |
1 |
BMFA |
| detail: garden of palace |
2 |
BMFA |
| detail: gardener's head |
1 |
BMFA |
| detail: gate of the Palace |
1 |
BMFA |
| detail: guards falling asleep |
2 |
BMFA |
| detail: head |
1 |
BMFA |
| detail: head & torso |
1 |
BMFA |
| detail: head of Hunger's horse |
1 |
BMFA |
| detail: oblique front |
1 |
BMFA |
| detail: one of guards counting the hours he has
been waiting |
1 |
BMFA |
| detail: panel |
1 |
BMFA |
| detail: pediment-triangular tile, left side-2 figures |
1 |
BMFA |
| detail: pocket of coat |
1 |
BMFA |
| detail: skirt |
1 |
BMFA |
| detail: text-Chess |
1 |
BMFA |
| detail: text-Chinese game of chess |
1 |
BMFA |
| detail: text-Chinese test Kibi about text |
1 |
BMFA |
| detail: text-Kibi and demon |
2 |
BMFA |
| detail: text-Kibi reads Chinese text |
1 |
BMFA |
| detail: the Babylon Harlot |
1 |
BMFA |
| detail: the Lord & the Lamb |
1 |
BMFA |
| detail: the gentleman |
1 |
BMFA |
| detail: the ship transporting Kibi arrrives in
China |
2 |
BMFA |
| detail: top, the Trinity |
1 |
BMFA |
| detail: tower |
1 |
BMFA |
| detail: two bird impersonators |
1 |
BMFA |
| detail: upper right corner - 2 figures |
1 |
BMFA |
| detail: upper section |
1 |
BMFA |
| detail: view - front |
1 |
BMFA |
| detail: view - rear |
1 |
BMFA |
| detail: woman charming snakes |
1 |
BMFA |
| extra page hinged to p.1, HOTEL LOBBY, no. WMAA.96.210t |
1 |
WMAA |
| extra page of thumbnails, adhered to p. 69, no.
WMAA.96.208rrr |
1 |
WMAA |
| extra sheet hinged to p. 116, CALIFORNIA HILLS,
no. WMAA.96.210www |
1 |
WMAA |
| folio 142r |
1 |
MMA_ |
| folio 167r |
1 |
MMA_ |
| folio 186v |
1 |
MMA_ |
| folio 223v |
1 |
MMA_ |
| front |
31 |
AIC_, DMCC, LACM |
| front 3/4 |
1 |
AIC_ |
| front view |
130 |
AIC_, DMCC |
| front view showing struggle between Herakles and
the Nemean lion |
1 |
AIC_ |
| front view. photo of x-ray |
1 |
AIC_ |
| frontispiece, no. WMAA.96.208b |
1 |
WMAA |
| frontispiece, no. WMAA.96.209b |
1 |
WMAA |
| full view |
10470 |
AKAG, BMFA, JPGM, MACM, PMA_ |
| full view with water lily on lower half center |
1 |
AIC_ |
| full view. also photographed as part of a set with
1982.1513 |
1 |
AIC_ |
| full view. also photographed as part of a set with
1982.1514 |
1 |
AIC_ |
| full view. digitally enhanced |
1 |
AIC_ |
| fullview |
1046 |
SFMO |
| head to head view with 1950.641 |
1 |
AIC_ |
| in new frame |
1 |
AIC_ |
| index of Book III, no. WMAA.96.210d |
1 |
WMAA |
| interior |
7 |
LACM |
| interior view |
1 |
AIC_ |
| left half; viewed with 1965.169 |
1 |
AIC_ |
| left section |
2 |
AIC_ |
| loose clipping of GROUND SWELL, between pp. 32-33,
no. WMAA.96.209y |
1 |
WMAA |
| loose clipping of HOUSE AT DUSK, between pp. 6-7,
no. WMAA.96.209j |
1 |
WMAA |
| loose photograph between pp. 64-65, no. WMAA.96.208mmm |
1 |
WMAA |
| loose sheet between pp. 44-45 (recto), no. WMAA.96.208qq |
1 |
WMAA |
| loose sheet between pp. 44-45 (verso), no. WMAA.96.208rr |
1 |
WMAA |
| loose sheet of thumbnails, no. WMAA.96.209oo |
1 |
WMAA |
| loose sheet, thumbnails of SHACKS AT PAMET HEAD
and ROUTE 14, VERMONT, no. WMAA.96.209mm |
1 |
WMAA |
| obverse |
12 |
AIC_ |
| open 3/4 view |
1 |
AIC_ |
| overall view of 1996.436.1 |
1 |
AIC_ |
| overall view of 1996.436.2 |
1 |
AIC_ |
| p. 1 of Reviews & Reproductions, no. WMAA.96.210j |
1 |
WMAA |
| p. 1 of chronology, no. WMAA.96.210e |
1 |
WMAA |
| p. 1, no. WMAA.96.208f |
1 |
WMAA |
| p. 1, no. WMAA.96.209c |
1 |
WMAA |
| p. 10, no. WMAA.96.208o |
1 |
WMAA |
| p. 10, notes, no. WMAA.96.210z |
1 |
WMAA |
| p. 100, no. WMAA.96.208vvvv |
1 |
WMAA |
| p. 101, MEXICO SUMMER, PALMS AT SALTILLO, SALTILLO
MANSION, no. WMAA.96.210ooo |
1 |
WMAA |
| p. 103, SALTILLO ROOF TOPS, SIERRA MADRE AT SALTILLO,
no. WMAA.96.210ppp |
1 |
WMAA |
| p. 105, MONTERREY CATHEDRAL, SIERRA MADRE AT MONTERREY,
no. WMAA.96.210qqq |
1 |
WMAA |
| p. 107, CHURCH AT SAN ESTOBAN, EL PALACIO, no.
WMAA.96.210rrr |
1 |
WMAA |
| p. 109, CONSTRUCTION IN MEXICO, MOUNT MORAN, no.
WMAA.96.210sss |
1 |
WMAA |
| p. 11, AUGUST IN THE CITY, no. WMAA.96.210aa |
1 |
WMAA |
| p. 11, THE LONG LEG, no. WMAA.96.209m |
1 |
WMAA |
| p. 11, no. WMAA.96.208p |
1 |
WMAA |
| p. 111, JO IN WYOMING, SLOPES OF GRAND TETON, no.
WMAA.96.210ttt |
1 |
WMAA |
| p. 113, CLIFF NEAR MITLA, OAXACA, no. WMAA.96.210uuu |
1 |
WMAA |
| p. 115, MOUNTAINS AT GUANAJUATO, no. WMAA.96.210vvv |
1 |
WMAA |
| p. 117, HOUSES ON A HILL, no. WMAA.96.210xxx.1 |
1 |
WMAA |
| p. 119, THE ELIZABETH SHORE, HORSE AND VERMONT
BARNS, no. WMAA.96.210yyy |
1 |
WMAA |
| p. 12, no. WMAA.96.208q.1 |
1 |
WMAA |
| p. 121, MASS OF TREES AT EASTHAM, no. WMAA.96.210zzz |
1 |
WMAA |
| p. 123, CHARLESTON SLUM, no. WMAA.96.210aaaa |
1 |
WMAA |
| p. 125, CAPE COD BAY, no. WMAA.96.210bbbb |
1 |
WMAA |
| p. 13, JO PAINTING, no. WMAA.96.209n |
1 |
WMAA |
| p. 13, ROOMS FOR TOURISTS, no. WMAA.96.210bb |
1 |
WMAA |
| p. 13, no. WMAA.96.208r |
1 |
WMAA |
| p. 14 notes for THE CIRCLE THEATRE, no. WMAA.96.209o |
1 |
WMAA |
| p. 14, no. WMAA.96.208s.1 |
1 |
WMAA |
| p. 15, THE CIRCLE THEATRE, no. WMAA.96.209p |
1 |
WMAA |
| p. 15, TWO PURITANS, no. WMAA.96.210cc |
1 |
WMAA |
| p. 15, no. WMAA.96.208t |
1 |
WMAA |
| p. 16, no. WMAA.96.208u |
1 |
WMAA |
| p. 17, APPROACHING A CITY, no. WMAA.96.210dd |
1 |
WMAA |
| p. 17, CAPE COD AFTERNOON, no. WMAA.96.209q |
1 |
WMAA |
| p. 17, no. WMAA.96.208v |
1 |
WMAA |
| p. 170, no. WMAA.96.210cccc |
1 |
WMAA |
| p. 171, no. WMAA.96.210dddd |
1 |
WMAA |
| p. 18, no. WMAA.96.208w |
1 |
WMAA |
| p. 19, OCTOBER ON CAPE COD, no. WMAA.96.210ee |
1 |
WMAA |
| p. 19, SHERIDAN THEATRE, no. WMAA.96.209r |
1 |
WMAA |
| p. 190, no. WMAA.96.210eeee |
1 |
WMAA |
| p. 191, no. WMAA.96.210ffff |
1 |
WMAA |
| p. 192, no. WMAA.96.210gggg |
1 |
WMAA |
| p. 193, no. WMAA.96.210hhhh |
1 |
WMAA |
| p. 194, no. WMAA.96.210iiii |
1 |
WMAA |
| p. 2 of Reviews..., no. WMAA.96.210k |
1 |
WMAA |
| p. 2 of chronology, no. WMAA.96.210f |
1 |
WMAA |
| p. 2, DAUPHINE'S HOUSE, MRS. SCOTT'S HOUSE, no.
WMAA.96.209d |
1 |
WMAA |
| p. 2, no. WMAA.96.208g.1 |
1 |
WMAA |
| p. 20, no. WMAA.96.208x |
1 |
WMAA |
| p. 21, CORN BELT CITY, no. WMAA.96.210ff |
1 |
WMAA |
| p. 21, FRENCH 6 DAY RIDER, no. WMAA.96.209s |
1 |
WMAA |
| p. 22, no. WMAA.96.208y |
1 |
WMAA |
| p. 23, 5 A.M., no. WMAA.96.209t |
1 |
WMAA |
| p. 23, PENNSYLVANIA COAL TOWN, no. WMAA.96.210gg |
1 |
WMAA |
| p. 24, no. WMAA.96.208z |
1 |
WMAA |
| p. 25, COMPARTMENT C, no. WMAA.96.209u |
1 |
WMAA |
| p. 25, SUMMER EVENING, no. WMAA.96.210hh |
1 |
WMAA |
| p. 26, no. WMAA.96.208aa |
1 |
WMAA |
| p. 27 (includes clipping of LONELY HOUSE), no.
WMAA.96.208bb |
1 |
WMAA |
| p. 27, 7 A.M., no. WMAA.96.210ii |
1 |
WMAA |
| p. 27, NEW YORK MOVIE HOUSE, no. WMAA.96.209v |
1 |
WMAA |
| p. 28, no. WMAA.96.208cc.1 |
1 |
WMAA |
| p. 29, CONFERENCE AT NIGHT, no. WMAA.96.210jj |
1 |
WMAA |
| p. 29, MEN, WOMEN AND HORSES, no. WMAA.96.209w |
1 |
WMAA |
| p. 29, no. WMAA.96.208dd |
1 |
WMAA |
| p. 3 of Reviews..., no. WMAA.96.210l |
1 |
WMAA |
| p. 3 of chronology, no. WMAA.96.210g |
1 |
WMAA |
| p. 3, CITY ROOFS, RYDER HOUSE, no. WMAA.96.209e |
1 |
WMAA |
| p. 3, SUMMER TIME, no. WMAA.96.210u |
1 |
WMAA |
| p. 3, no. WMAA.96.208h |
1 |
WMAA |
| p. 30, no. WMAA.96.208ee |
1 |
WMAA |
| p. 31, CAPE COD EVENING, no. WMAA.96.209x |
1 |
WMAA |
| p. 31, HIGH NOON, no. WMAA.96.210kk |
1 |
WMAA |
| p. 32, no. WMAA.96.208ff |
1 |
WMAA |
| p. 33, GROUND SWELL, no. WMAA.96.209z |
1 |
WMAA |
| p. 33, SUMMER IN THE CITY, no. WMAA.96.210ll |
1 |
WMAA |
| p. 34, no. WMAA.96.208gg |
1 |
WMAA |
| p. 35, BLOCKWELL'S ISLAND, no. WMAA.96.209aa |
1 |
WMAA |
| p. 35, PORTRAIT OF ORLEANS, no. WMAA.96.210mm |
1 |
WMAA |
| p. 35, no. WMAA.96.208hh |
1 |
WMAA |
| p. 36, HOUSE AT EASTHAM, KELLY-JENESS HOUSE, HOUSE
WITH DEAD TREE, no. WMAA.96.209bb |
1 |
WMAA |
| p. 36, no. WMAA.96.208ii |
1 |
WMAA |
| p. 37, CAPE COD MORNING, no. WMAA.96.210nn |
1 |
WMAA |
| p. 37, MARSHALL'S HOUSE, R.R. EMBANKMENT, BACK
OF FREIGHT STATION, HOUSE BACK OF DUNES, no. WMAA.96.209cc |
1 |
WMAA |
| p. 38, LOCUST TREES, no. WMAA.96.209dd |
1 |
WMAA |
| p. 38, no. WMAA.96.208jj |
1 |
WMAA |
| p. 39, COLD STORAGE PLANT, COTTAGES AT WELFLEET,
no. WMAA.96.209ee.1 |
1 |
WMAA |
| p. 39, FIRST ROW ORCHESTRA, no. WMAA.96.210oo |
1 |
WMAA |
| p. 39, no. WMAA.96.208kk |
1 |
WMAA |
| p. 4 of Reviews..., no. WMAA.96.210m |
1 |
WMAA |
| p. 4 of chronology, no. WMAA.96.210h |
1 |
WMAA |
| p. 4, CAPE COD SUNSET, SUN ON PROSPECT STREET,
DAWN BEFORE GETTYSBURG, no. WMAA.96.209f |
1 |
WMAA |
| p. 4, no. WMAA.96.208i.1 |
1 |
WMAA |
| p. 4, notes, no. WMAA.96.210v |
1 |
WMAA |
| p. 40, HOUSE ON PAMET RIVER, JENNESS HOUSE LOOKING
NORTH, THE FORKED ROAD, no. WMAA.96.209ff |
1 |
WMAA |
| p. 40, no. WMAA.96.208ll |
1 |
WMAA |
| p. 41, LONGNOOK VALLEY, PAMET RIVER ROAD, HILL
AND COW, no. WMAA.96.209gg |
1 |
WMAA |
| p. 41, ROOMS BY THE SEA, no. WMAA.96.210pp |
1 |
WMAA |
| p. 41, no. WMAA.96.208mm |
1 |
WMAA |
| p. 42, JENNESS HOUSE (III), JENNESS HOUSE (IV),
no. WMAA.96.209hh |
1 |
WMAA |
| p. 42, no. WMAA.96.208nn |
1 |
WMAA |
| p. 43, MORNING SUN, no. WMAA.96.210qq |
1 |
WMAA |
| p. 43, YACHT RIDING A SWELL, HOUSE WITH BIG PINE,
no. WMAA.96.209ii |
1 |
WMAA |
| p. 43, no. WMAA.96.208oo |
1 |
WMAA |
| p. 44, VERMONT HILLSIDE, HOUSE WITH A RAIN BARREL,
OAKS AT EASTHAM, no. WMAA.96.209jj |
1 |
WMAA |
| p. 44, no. WMAA.96.208pp |
1 |
WMAA |
| p. 45, HOTEL BY A RAILROAD, no. WMAA.96.210rr |
1 |
WMAA |
| p. 45, SPINDLEY LOCUSTS, MOUNTAIN MEADOW, NEAR
THE BACK SHORE, no. WMAA.96.209kk |
1 |
WMAA |
| p. 45, no. WMAA.96.208ss |
1 |
WMAA |
| p. 46, TOWARD BOSTON and ROUTE 14, VERMONT, no.
WMAA.96.209ll |
1 |
WMAA |
| p. 46, no. WMAA.96.208tt |
1 |
WMAA |
| p. 47, SEA WATCHERS, no. WMAA.96.210ss |
1 |
WMAA |
| p. 47, SHACKS AT PAMET HEAD, MOUTH PAMET RIVER
- FULL TIDE, no. WMAA.96.209nn |
1 |
WMAA |
| p. 47, no. WMAA.96.208uu |
1 |
WMAA |
| p. 48, no. WMAA.96.208vv |
1 |
WMAA |
| p. 49, GRAVEL BAR WHITE RIVER, WHITE RIVER AT ROYALTON,
WHITE RIVER AT SHARON, no. WMAA.96.209pp |
1 |
WMAA |
| p. 49, OFFICE IN A SMALL CITY, no. WMAA.96.210tt |
1 |
WMAA |
| p. 49, no. WMAA.96.208ww |
1 |
WMAA |
| p. 5 of Reviews..., no. WMAA.96.210n |
1 |
WMAA |
| p. 5 of chronology, no. WMAA.96.210I |
1 |
WMAA |
| p. 5, EAST WIND ON WEEHAWKEN, no. WMAA.96.209h |
1 |
WMAA |
| p. 5, MORNING IN A CITY, no. WMAA.96.210w |
1 |
WMAA |
| p. 5, no. WMAA.96.208j |
1 |
WMAA |
| p. 50, no. WMAA.96.208xx |
1 |
WMAA |
| p. 51, CITY SUNLIGHT, no. WMAA.96.210uu |
1 |
WMAA |
| p. 51, FIRST BRANCH OF WHITE RIVER, WINDY DAY,
VERMONT SUGAR HOUSE, no. WMAA.96.209qq |
1 |
WMAA |
| p. 51, no. WMAA.96.208yy |
1 |
WMAA |
| p. 52, no. WMAA.96.208zz |
1 |
WMAA |
| p. 53, BOB SLATER'S HILL, SUGAR MAPLE, RAIN ON
RIVER, no. WMAA.96.209rr |
1 |
WMAA |
| p. 53, SOUTH CAROLINA MORNING, no. WMAA.96.210vv |
1 |
WMAA |
| p. 53, no. WMAA.96.208aaa |
1 |
WMAA |
| p. 54, no. WMAA.96.208bbb.1 |
1 |
WMAA |
| p. 55, COTTAGE AT N. TRURO, CROSSING AT EASTHAM,
no. WMAA.96.209ss |
1 |
WMAA |
| p. 55, HOTEL WINDOW, no. WMAA.96.210ww |
1 |
WMAA |
| p. 55, no. WMAA.96.208ccc.1 |
1 |
WMAA |
| p. 56, no. WMAA.96.208ddd.1 |
1 |
WMAA |
| p. 57, OREGON COAST, SHOSHONE CLIFFS, HOUSE AT
SAN MATEO, no. WMAA.96.209tt |
1 |
WMAA |
| p. 57, SUNLIGHT ON BROWNSTONES, no. WMAA.96.210xx |
1 |
WMAA |
| p. 57, no. WMAA.96.208eee.1 |
1 |
WMAA |
| p. 58, no. WMAA.96.208fff.1 |
1 |
WMAA |
| p. 58, records for FOUR DEAD TREES and COBB HOUSE,
no. WMAA.96.209uu |
1 |
WMAA |
| p. 59, HOUSE BY AN INLET, no. WMAA.96.210yy |
1 |
WMAA |
| p. 59, no. WMAA.96.208ggg |
1 |
WMAA |
| p. 6 (includes clipping), no. WMAA.96.208k |
1 |
WMAA |
| p. 6 of Reviews..., no. WMAA.96.210o |
1 |
WMAA |
| p. 6, HOUSE AT DUSK, no. WMAA.96.209i |
1 |
WMAA |
| p. 60, LE LOUVRE ET LA SEINE, LE PONT DES ARTS,
LE PARC DE SAINT-CLOUD, no. WMAA.96.209xx |
1 |
WMAA |
| p. 60, no. WMAA.96.208hhh |
1 |
WMAA |
| p. 61, APRES MIDI DE JUIN, ECLUSE DE LA MONNAIE,
BRIDGE ON THE SEINE, no. WMAA.96.209yy |
1 |
WMAA |
| p. 61, FOUR LANE ROAD, no. WMAA.96.210zz |
1 |
WMAA |
| p. 61, no. WMAA.96.208iii |
1 |
WMAA |
| p. 62, NOTRE DAME DE PARIS, ILE SAINT LOUIS, LE
PAVILLON DE FLORE, no. WMAA.96.209zz |
1 |
WMAA |
| p. 62, no. WMAA.96.208jjj |
1 |
WMAA |
| p. 63, LE QUAI DES GRANDS AUGUSTIN, LE PONT ROYAL,
no. WMAA.96.209aaa |
1 |
WMAA |
| p. 63, WESTERN MOTEL, no. WMAA.96.210aaa |
1 |
WMAA |
| p. 63, no. WMAA.96.208kkk.1 |
1 |
WMAA |
| p. 64, no. WMAA.96.208lll |
1 |
WMAA |
| p. 65, SUNLIGHT IN A CAFETERIA, no. WMAA.96.210bbb |
1 |
WMAA |
| p. 65, no. WMAA.96.208nnn |
1 |
WMAA |
| p. 66, no. WMAA.96.208ooo |
1 |
WMAA |
| p. 67, NOVEMBER, WASHINGTON SQUARE, no. WMAA.96.210ccc |
1 |
WMAA |
| p. 67, no. WMAA.96.208ppp.1 |
1 |
WMAA |
| p. 68, SAILING, TRAMP STEAMER, no. WMAA.96.209bbb |
1 |
WMAA |
| p. 68, no. WMAA.96.208qqq |
1 |
WMAA |
| p. 69, EXCURSION INTO PHILOSOPHY, no. WMAA.96.210ddd |
1 |
WMAA |
| p. 69, RAILROAD TRAIN, STATION, no. WMAA.96.209ccc |
1 |
WMAA |
| p. 69, no. WMAA.96.208sss |
1 |
WMAA |
| p. 7 of Reviews..., no. WMAA.96.210p |
1 |
WMAA |
| p. 7, McCOMB'S DAM BRIDGE, no. WMAA.96.209k |
1 |
WMAA |
| p. 7, THE MARTHA McKEEN OF WELLFLEET, no. WMAA.96.210x |
1 |
WMAA |
| p. 7, no. WMAA.96.208l |
1 |
WMAA |
| p. 70, MOONLIGHT INTERIOR, AMERICAN VILLAGE, no.
WMAA.96.209ddd |
1 |
WMAA |
| p. 70, no. WMAA.96.208ttt |
1 |
WMAA |
| p. 71, BOOTLEGGERS, no. WMAA.96.209eee |
1 |
WMAA |
| p. 71, PEOPLE IN THE SUN, no. WMAA.96.210eee |
1 |
WMAA |
| p. 71, no. WMAA.96.208uuu.1 |
1 |
WMAA |
| p. 72, no. WMAA.96.208vvv |
1 |
WMAA |
| p. 73, EAST RIVER, no. WMAA.96.209fff |
1 |
WMAA |
| p. 73, SECOND STORY SUNLIGHT, no. WMAA.96.210fff |
1 |
WMAA |
| p. 73, no. WMAA.96.208www |
1 |
WMAA |
| p. 74, no. WMAA.96.208xxx |
1 |
WMAA |
| p. 74, no. WMAA.96.209ggg |
1 |
WMAA |
| p. 75, A WOMAN IN THE SUN, no. WMAA.96.210ggg |
1 |
WMAA |
| p. 75, no. WMAA.96.208yyy.1 |
1 |
WMAA |
| p. 75, no. WMAA.96.209hhh |
1 |
WMAA |
| p. 76, no. WMAA.96.208zzz |
1 |
WMAA |
| p. 77, NEW YORK OFFICE, no. WMAA.96.210hhh |
1 |
WMAA |
| p. 77, THE MACARTHUR'S HOME, no. WMAA.96.209iii |
1 |
WMAA |
| p. 77, no. WMAA.96.208aaaa |
1 |
WMAA |
| p. 78, no. WMAA.96.208bbbb |
1 |
WMAA |
| p. 79, OFFICE AT NIGHT, no. WMAA.96.209jjj |
1 |
WMAA |
| p. 79, ROAD AND TREES, no. WMAA.96.210iii |
1 |
WMAA |
| p. 79, no. WMAA.96.208cccc |
1 |
WMAA |
| p. 8 of Reviews..., no. WMAA.96.210q |
1 |
WMAA |
| p. 8, no. WMAA.96.208m |
1 |
WMAA |
| p. 80, no. WMAA.96.208dddd |
1 |
WMAA |
| p. 81, INTERMISSION, no. WMAA.96.210jjj |
1 |
WMAA |
| p. 81, LIGHT BATTERY AT GETTYSBURG, no. WMAA.96.209kkk |
1 |
WMAA |
| p. 81, no. WMAA.96.208eeee.1 |
1 |
WMAA |
| p. 83, GAS, no. WMAA.96.209lll |
1 |
WMAA |
| p. 83, SUN IN AN EMPTY ROOM, no. WMAA.96.210kkk |
1 |
WMAA |
| p. 84, no. WMAA.96.208ffff |
1 |
WMAA |
| p. 85, CHAIR CAR, no. WMAA.96.210lll |
1 |
WMAA |
| p. 85, HOUSE BY A ROAD, no. WMAA.96.209mmm |
1 |
WMAA |
| p. 85, no. WMAA.96.208gggg.1 |
1 |
WMAA |
| p. 86, no. WMAA.96.208hhhh |
1 |
WMAA |
| p. 87 (includes checklist), no. WMAA.96.208iiii |
1 |
WMAA |
| p. 87, CORNER SALOON, no. WMAA.96.209nnn |
1 |
WMAA |
| p. 87, EAST RIVER, no. WMAA.96.210mmm |
1 |
WMAA |
| p. 88, no. WMAA.96.208jjjj |
1 |
WMAA |
| p. 89, GIRLIE SHOW, no. WMAA.96.209ooo |
1 |
WMAA |
| p. 89, THE TWO COMMEDIANS, no. WMAA.96.210nnn |
1 |
WMAA |
| p. 89, no. WMAA.96.208kkkk |
1 |
WMAA |
| p. 9, SHAKESPEARE AT DUSK, no. WMAA.96.209l |
1 |
WMAA |
| p. 9, SOLITUDE, no. WMAA.96.210y |
1 |
WMAA |
| p. 9, no. WMAA.96.208n.1 |
1 |
WMAA |
| p. 90, no. WMAA.96.208llll |
1 |
WMAA |
| p. 91, ROUTE 6, no. WMAA.96.209ppp |
1 |
WMAA |
| p. 91, no. WMAA.96.208mmmm |
1 |
WMAA |
| p. 92, no. WMAA.96.208nnnn |
1 |
WMAA |
| p. 93, SEA SHORE, no. WMAA.96.209qqq |
1 |
WMAA |
| p. 93, no. WMAA.96.208oooo |
1 |
WMAA |
| p. 94, no. WMAA.96.208pppp |
1 |
WMAA |
| p. 95, NIGHT HAWKS, no. WMAA.96.209rrr |
1 |
WMAA |
| p. 95, no. WMAA.96.208qqqq |
1 |
WMAA |
| p. 96, no. WMAA.96.208rrrr |
1 |
WMAA |
| p. 97, DAWN IN PENNSYLVANIA, no. WMAA.96.209sss |
1 |
WMAA |
| p. 97, no. WMAA.96.208ssss |
1 |
WMAA |
| p. 98, no. WMAA.96.208tttt |
1 |
WMAA |
| p. 99, no. WMAA.96.208uuuu |
1 |
WMAA |
| p. 99, no. WMAA.96.209ttt |
1 |
WMAA |
| photograph in frame |
1 |
AIC_ |
| photograph, adhered to p. 4, no. WMAA.96.208i.2 |
1 |
WMAA |
| photographed with 1932.996 |
1 |
AIC_ |
| photographed with 1932.997 |
1 |
AIC_ |
| photographed with 1938.1321 |
1 |
AIC_ |
| photographed with 1938.1322 |
1 |
AIC_ |
| post-cleaning before in-painting |
1 |
AIC_ |
| postcard of MANHATTAN BRIDGE LOOP, hinged to p.
56 (recto), no. WMAA.96.208ddd.2 |
1 |
WMAA |
| profile |
2 |
AIC_ |
| profile view |
3 |
AIC_ |
| profile view of 1994.38.1 |
1 |
AIC_ |
| profile view of 1994.38.2 |
1 |
AIC_ |
| recto |
51 |
AIC_, AKAG, LACM, MMA_ |
| reverse |
12 |
AIC_ |
| right half; viewed with 1965.170 |
1 |
AIC_ |
| right section |
2 |
AIC_ |
| section 2 |
1 |
AIC_ |
| section 4 |
1 |
AIC_ |
| section 7 |
1 |
AIC_ |
| set on top of tray |
1 |
AIC_ |
| sheet b |
1 |
AKAG |
| side 1 |
1 |
AIC_ |
| side view |
5 |
AIC_, DMCC |
| slightly angled view |
1 |
AIC_ |
| slightly angled view from above |
1 |
AIC_ |
| thumbnail of COTTAGES AT WELFLEET, hinged to p.
39, no. WMAA.96.209ee.2 |
1 |
WMAA |
| thumbnail sketch hinged to p. 117, no. WMAA.96.210xxx.2 |
1 |
WMAA |
| thumbnail sketch, hinged to p. 58, no. WMAA.96.209ww |
1 |
WMAA |
| thumbnail sketches, hinged to p. 58, no. WMAA.96.209vv |
1 |
WMAA |
| title page Book I/From 1913, no. WMAA.96.208d |
1 |
WMAA |
| title page, no. WMAA.96.210b |
1 |
WMAA |
| top |
4 |
LACM |
| top view |
2 |
AIC_ |
| verso |
48 |
AKAG, LACM, MMA_ |
| verso of postcard of MANHATTAN BRIDGE LOOP, no.
WMAA.96.208ddd.3 |
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WMAA |
| verso of title page, no. WMAA.96.208e |
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WMAA |
| verso of title page, no. WMAA.96.210c |
1 |
WMAA |
| view #1 |
1 |
AIC_ |
| view 1 |
8 |
AIC_ |
| view 2 |
1 |
AIC_ |
| view depicting old man in cloak with stick |
1 |
AIC_ |
| view from slight angle above |
2 |
AIC_ |
| view including frame |
1 |
AIC_ |
| view of large seated figure with feather headdress |
1 |
AIC_ |
| view of top of head |
1 |
AIC_ |
| view of two shield forms with hands in center |
1 |
AIC_ |
| view with sphinx flanked by panthers |
1 |
AIC_ |
| view: left 3/4 profile |
1 |
AIC_ |
| view: recto |
2 |
BMFA |
| view: verso |
2 |
BMFA |
| viewed with 1945.674, front view |
1 |
AIC_ |
| with seat cushion |
1 |
AIC_ |
| without pedestal |
1 |
AIC_ |
| }Alternate ViewRIRHasFormat |
1 |
WMAA |